RIDE - BRISTOL
SUNDAY 02 DECEMBER 2018
RIDE: Unplugged - 30th Anniversary Acoustic Shows
Plus special guests Piney Gir
Thursday 29 November 2018
Trinity Centre, Bristol
All Ages (under 16s to be accompanied by an adult)
Tickets £22.50 / £25 on the door
Tickets On-Sale here: http://bit.ly/RIDE-Bristol
Ride have announced a one-off and intimate acoustic tour in late November and early December to round off a brilliant 18 months of new music, sold out shows and festival appearances. The five date run will mark the 30th Anniversary of this revered Oxford quartet, all providing a big, cyclical celebration of Ride's life in music and another opportunity to enjoy their much loved live show before taking a well earned break.
On first glance an acoustic tour might seem a strange way of celebrating Ride's gloriously noisy journey through thirty years of sound, especially one that was termed 'shoegaze' by the media in the '90s. The tour idea originally sprung from a unique night in April earlier this year when Ride played a beautiful old church, St Paul's, in Worthing. Ride performed an entire acoustic set, mixing in recent songs from the acclaimed 'Tomorrow's Shore' EP and 'Weather Diaries' album - both produced by Erol Alkan and mixed by Alan Moulder - with tracks from Creation-era classics 'Nowhere', 'Going Blank Again' and 'Carnival Of Light'. The set sounded totally psychedelic and robust, retaining the magic of the full electric set up and completely captivating the audience. So much so, it seemed like a good idea to do it again.
Over to the band with a further take on the acoustic "These shows will explore and span old and newer songs giving us a chance to play some tunes we rarely get to perform along with more familiar tunes in a different way. We’ve been loving all the shows we’ve been playing since our reunion and we look forward to these"
With support from Piney Gir
Transatlantic pop chameleon Piney Gir returns with a shimmering new single called “The Great Pretend”, which is a celebration of analogue gear with a sound that nods back to when music was on the cusp of change, just before synth pop and just after punk rock. Channeling Tony Visconti, Julee Cruise and Roxy Music, the song blends angular art rock with hooky riffs and strong melodies. Piney’s lyrics are a little twisted and dark but with an ability to mean two things at once, like a backhanded compliment from Dorothy Parker.